Serving Art Educators
and Students Since 1994
Submitted by: Maria Lengauer - The High School for Creative and Performing Arts in Philadelphia, PA
UNIT: Ceramics Traditional Form - Ancient Greece - Sgraffito decorating technique
Lesson: Using coil method and Sgraffito with black slip
Grade Level: high school (adaptable to middle school) Maria does this with 9th grade
Alternate Lesson below - Third lesson at bottom
PRODUCTION
Coil method (this is third coil pot project in a row) (Basic coil plan)
Practice pulling handles for 2-3 days.
Coil of the classical Greek symmetrical shapes at least 10’ high
Sketch out an image that reflects a significant event or happening in your life
Cover pot with black slip
Carve image using Sgraffito technique
Preparation:
Create a handout with the traditional Greek Vessel forms.
Click images for larger views See other side
|
ART HISTORY
Introduce students to history of Greek Pottery-Power Point
Discuss how art documents/ records history
Function of pots in culture- then and now
Invention of pottery wheels
Technology and art
Look at Black on Red/ Red on Black pots
Discuss meaning of imagery on pots
AESTHETICS
Discuss - How changing times, economy, overlap of cultures effect design
The "marriage" of form, function and design
Classical Greek shape identification activity (Amphora etc.)
ART CRITICISM
Analyze dominant elements and principles in Greek Pottery design through different periods
Group activity where students guess function based on form
IN PROGRESS PHOTOS
ASSESSMENT
Form and Function match
Vocabulary quiz
Greek pottery test
STUDENT ASSIGNMENT (HANDOUT):
Freshman assignment
Sculpture - Greek pottery unit
· Think about an "event" or "happening" in your life that you wish to illustrate on your Greek influenced pot.
· Make at lease 2-3 thumbnail sketches. Due on__________________
· Think about which Greek pot shapes could accommodate your design the best
· Choose 3-4 of the many styles of Greek pots (from the handout) and make 3-4 thumbnail sketches. Due on_________________________
· After discussing your ideas for your pot with teacher then make a sketch of your image on the pot you’ll build in clay
· The final sketch of the pot should fit on an 8-x11 piece of paper. Make sure the lines are clean, straight, and the pot is symmetrical.
Sketches due on________________________
· On the bottom right corner of your sketch write the Greek shape name of the pot
· Pot must be at least 10inches high with functional handles
· Begin to plan for construction!
STUDENT SELF REFLECTION (HANDOUT):
Greek Pot REFLECTION PAPER Name_______________ Date_____
Please answer the following questions by "reflecting" back to the process. Be descriptive and respond in full sentences. Please write neatly!
1. What are the qualities you like about your pot? Why?
2. What are the qualities that you don’t like about your pot
3. Compare your 2 drawings, how is your pot different from the original drawing plan? Describe.
4. Name all the techniques you used to create your pot (don’t forget handles!)
5. What were some of the obstacles you encountered during the construction of your pot? How did you resolve them?
6. Describe your experience using the Sgraffito technique, what where the challenges, what did you do or not do to master the technique? Describe
7. Look at the Greek pot shape handout. Which shape does your pot most resemble? Or is it a combination of one or more shapes? Which characteristics does your pot have and from what Greek shape?
Give yourself a numerical grade in the following 4 categories; 99-0
1. Met criteria of the project_____
10 inches high (25.4 cm)
Pot is Greek pot shape inspired
Used Sgraffito technique
2. Creativity ________Why?
3. Level of Effort/ Perseverance ____Why?
4. Craftsmanship ____Why?
Greek Pot Group Critique Group members ___________________________________ Period __________
Directions
1. As a group decide which pot meets the criteria of the specific category.
2. For each category write the number of the pot on the short line provided.
3. Describe in full sentences your reasons for choosing the pot you selected. Be descriptive
in your reasons use specific art vocabulary.
Best Craftsmanship
Most symmetrical shape
Symmetrical handles (negative space)
Smoothest surface
Most resembles Greek Pot Shape
Best-constructed handle/s
Most functional
Most difficult to create
Has potential but needs
Submitted by: Judy Decker
UNIT: Traditional Coil Form - Decorating techniques
Lesson: Coil vessel with template
Grade Level: High School (adaptable to middle school)
Materials:
Heavy cardboard (we used left over Mat board), Scissors, Masking Tape
, Banding Wheels
, choice of clay (we used Stoneware Clay), metal Scraper
, Clay Modeling Tools, Sponges
, Glazes
, Underglazes
, Slip
, Ceramic Tool Set, Brushes.
Book
History of Ancient Pottery, Greek, Etrusean, and Roman
|
Objectives:
Students make a traditional form - coil method - using template to control shape (Diagram shown - template is white side)
Students study traditional from in clay - looking at vessels throughout history.
Students explore decorating techniques - apply one to finished vessel.
Instruction:
Present a selection of traditional vessels to student (via slide or PowerPoint)
Demonstrate wide coil technique using template
Demonstrate various decorating techniques
Procedures:
Make several sketches for possible shapes. Select best one and make a full size paper pattern (Fold 12" x 18" (30.5 x 46 cm) paper - draw contour - cut out)
Make cardboard template from paper pattern. Tape a cardboard tab at bottom of template that will stop at edge of banding wheel. Wrap template in masking tape to make it water resistant.
To shape vessel:
Cut slab circle for base (about ½" (1 cm) thick) - center on banding wheel.
Shape vessel with wide slabs. Roll out slab of clay about ½" (1 cm) thick - cut into 1 inch strips. taper ends to overlap. Score and slip. This method was quicker than rolling out coils.
Control shape using cardboard template. Scarp with metal scrapers to smooth surface. Smooth with sponges.
Plan decoration to enhance form (students chose from Sgraffito, majolica, underglazes/glaze - making samples on test tiles)
Apply slip to leather hard vessel for Sgraffito - carve decoration
Fire and glaze. Majolica was done with colors on white opaque glaze.
Note: the example to the left shows shrinkage of vessel in leather hard stage. This photograph came from a high school art site.
Artist Diane De Baun sent me two examples of pottery she did that was heavily influenced by original Greek pottery:
![]() |
![]() |
SAMPLE RUBRIC (Adapted from Marianne Galyk)
Assessment Rubric |
|||||||
Student Name: |
Class Period: |
||||||
Assignment: Greek Pottery - Coil Vessel |
Date Completed: |
||||||
Circle the number in pencil that best shows how well you feel that you completed that criterion for the assignment. |
Excellent |
Good |
Average |
Needs Improvement |
Rate Yourself |
Teacher’s Rating |
|
Criteria 1 – Planning - sketches - designs |
10 |
9 – 8 |
7 |
6 or less 6 |
|
|
|
Criteria 2 – Coil method - traditional form - symmetrical body - with handle/handles |
10 |
9 – 8 |
7 |
6 or less |
|
|
|
Criteria 3 – Sgraffito decoration - design and technique |
10 |
9 – 8 |
7 |
6 or less |
|
|
|
Criteria 4 – Effort: took time to develop idea & complete project? (Didn’t rush.) Good use of class time? |
10 |
9 – 8 |
7 |
6 or less |
|
|
|
Criteria 5 – Craftsmanship – Neat, clean & complete? Skillful use of the art tools & media? |
10 |
9 – 8 |
7 |
6 or less |
|
|
|
Total: 50 X 2 = 100 possible |
Grade: |
|
|
|
|
Your Total |
Teacher Total |
Student Comments:
Teacher Comments:
NATIONAL STANDARDS:
1. Understanding and applying media, techniques, and processes |
2. Using knowledge of structures and functions |
3. Choosing and evaluating a range of subject matter, symbols, and ideas |
4. Understanding the visual arts in relation to history and cultures |
5. Reflecting upon and assessing the characteristics and merits of their work and the work of others |
6. Making connections between visual arts and other disciplines (MAKE CONNECTIONS TO SOCIAL STUDIES) |
Students apply media, techniques, and processes with sufficient skill, confidence, and sensitivity that their intentions are carried out in their artworks |
Students demonstrate the ability to form and defend judgments about the characteristics and structures to accomplish commercial, personal, communal, or other purposes of art |
Students reflect on how artworks differ visually, spatially, temporally, and functionally, and describe how these are related to history and culture |
Students differentiate among a variety of historical and cultural contexts in terms of characteristics and purposes of works of art |
Students identify intentions of those creating artworks, explore the implications of various purposes, and justify their analyses of purposes in particular works |
Students compare the materials, technologies, media, and processes of the visual arts with those of other arts disciplines as they are used in creation and types of analysis |
Students conceive and create works of visual art that demonstrate an understanding of how the communication of their ideas relates to the media, techniques, and processes they use |
Students evaluate the effectiveness of artworks in terms of organizational structures and functions |
Students apply subjects, symbols, and ideas in their artworks and use the skills gained to solve problems in daily life |
Students describe the function and explore the meaning of specific art objects within varied cultures, times, and places |
Students describe meanings of artworks by analyzing how specific works are created and how they relate to historical and cultural contexts |
Students compare characteristics of visual arts within a particular historical period or style with ideas, issues, or themes in the humanities or sciences |
|
Students create artworks that use organizational principles and functions to solve specific visual arts problems |
|
Students analyze relationships of works of art to one another in terms of history, aesthetics, and culture, justifying conclusions made in the analysis and using such conclusions to inform their own art making |
Students reflect analytically on various interpretations as a means for understanding and evaluating works of visual art |
|
Submitted by: LaDonna Dixon
NBCT Visual Arts Teacher Round Top Elementary
UNIT: Ancient Greece Lesson
Lesson: Greek Pottery - Vessel shaped crayon etching.
Procedure:
Discuss with students and show visuals of ancient Grecian vessels. There are a multitude of shapes that they vessels came in and they all had "stories" painted on them with bands of designs. Students will cut out the vessel shape they wanted from poster board. They will then color with crayons using earth tones, oranges, reds, browns, tans, etc. -- They should color heavily and fill the entire space with crayons. Next, they will paint over with the tempera with a touch of liquid soap added. Let dry. Scratch the stories and tradition Greek designs into the vessels. These turned out great.
Materials:
White Posterboard - Black Tempera Paint
- Large Brushes - Liquid Soap
( a few drops) - Scissors
- Crayons
(earth tones) - Toothpicks
(or the real Scratchboard
)
From Patty Caiola:
I do a lesson on Ancient Greek pottery/Scratch Art Vessels very similar to LaDonna. I have the students create a "mosaic" frame for their vessel using metallic Colored Pencils (for the mosaic tiles) on gray paper (to simulate the grout) and they color in a frame of 1" squares with ¼" space in between each square. They paste their vessel in the middle of the mosaic frame. I have also tried this frame idea with paint and they stamp their 1" squares or I have used pre-cut mosaic paper tiles they glue down... It Depends on the students and the amount of time that year. All were successful.